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Inspired by Samuel Palmer's visionary landscapes and an earlier brotherhood, the Pre-Raphaelites, as well as the Alice stories, Blake and friends such as Graham Arnold and David Inshaw sought to update the Victorian romanticism of John Everett Millais and others. He even became the focus for a group of artists with similar interests – The Brotherhood of Ruralists – founded by Blake and his wife, the artist Jann Haworth, on the spring solstice of 1975. Peter Blake (b.1932) Victoria Art Gallery
#Find the rabbit in the art series
Only a series of prints emerged a few years later, showing Blake's eye for a rich colour scheme. Pepper's Lonely Hearts Club Band took a different direction: moving towards narrative and literary subjects influenced by the surrounding countryside.Īmong the earliest work to emerge from this period was a series of eight watercolours depicting scenes of Through the Looking Glass for a new edition of the work that in the end failed to be realised. In this rural setting, and with his young family around him, the co-creator of the album cover for The Beatles' Sgt.
In 1969, Peter Blake, then one of Britain's most successful artists, moved from London to the village of Wellow, near Bath. It was created just after the outbreak of the Spanish Civil War, though some commentators suggest the apple that appears among the slices of meat that flop around like melted watches hints at the William Tell story – perhaps the destructive relationship here is between father and son. Autumnal Cannibalism (1936) takes us into a different landscape where a pair of figures attack each other with forks.
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The artist created 12 original images – one for each chapter – plus an etching for the frontispiece.Īs with many of his works, the watch appears in a partly naturalistic landscape, though one more bucolic than the often arid backgrounds inspired by his Catalan upbringing.
For both her works included here, the artist cut out models of the subjects first, drawing on childhood memories of paper sculpting with her father, before translating them into paint.Īrguably the most famous surrealist painter, Salvador Dalí enjoyed a direct relationship with Alice in Wonderland late in his career, for in 1969 the publisher Random House commissioned him to illustrate a limited edition of the now-classic work of literature. Based in her home city of Derby, Adnams worked at one remove from the major Surrealist groups, yet still made a mark from the late 1930s onwards, exhibiting in local galleries and in London.Ī friend of Agar, Adnams described her practice as entering what she described as 'the enchanted country'. It is in that seemingly recognisable, though also dreamlike, landscape that Marion Elizabeth Adnams placed her series of eerie paper women. Marion Elizabeth Adnams (1898–1995) Manchester Art Gallery Here, they found Carroll had preceded them: Alice's Adventures in Wonderland opens with its protagonist in a typical English countryside location – a quiet riverbank – before she falls down the rabbit hole. In 1893, Tenniel became the first cartoonist to be knighted for services to the arts.Ī key fascination for Surrealists was finding the unfamiliar in things we take for granted – landscapes around us, social hierarchies and even our own bodies. The pair worked together again several years later on a sequel, Through the Looking-Glass, and What Alice Found There (1871). The two worked closely together to achieve Carroll's vision, with the author rejecting several submissions, though Tenniel often had the freedom to invent his own characterisations.
1864–1865, drawing by Sir John Tenniel (1820–1914)Ī regular reader of Punch, Carroll was instrumental in selecting Tenniel as a collaborator, impressed with the former Royal Academy of Arts student's eye for detail and ability to create grotesque representations of political figures that combined realism with the macabre.
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